And Goldbaby doesn't have anything close to best 808s, well not for trap music. Again, any advice or solutions would be appreciated!įirst I must say the first response is horrible lol Producers can't cheat by pre picking an 808 like what? Most of them all use the same couple 808s anyway that are variations of a Spinz, Zay, or Plugg 808. BUT, I've seen professional producers have sampled 808's, drag them into the channel rack and it immediately sounds perfect or the bass meshes so well with the track it's like a missing puzzle piece which slides in. Any advice would be fantastic, and if there's a way to do less work for the 808's? I know its better to design my own, and I have made my own in serum and other synths. I match the 808 with the root note of the melody and lower it an octave. Is it poor samples? Some are from soundpacks, others from high quality sound packs. The other instruments aren't conflicting and the lowend has room for the 808. In my daw (FL 20) the 808 samples sound fantastic but after I turn loop points off, cut self, sidechain to the kick, and adjust the envelope, tune the root note, it sounds shitty. I know the essentials for 808's but it's always hit or miss.
Been getting better at sound design, arranging tracks, relying less on presets or tweaking presets to fit my own style.
So I've been producing for a few years now, recently got serious last summer.
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